Prices

A striptease show in Tel Aviv costs between 800 and 2,200 shekels. The spread has nothing to do with how a dancer looks or how long she has worked. It comes down to three things: how many dancers arrive, how long the show runs, and how far someone has to travel. This page takes all three apart, including what raises the price and what never gets added.

One line before the numbers. The price agreed in the first message is the price paid at the door. If an agency will not put a number in writing before hearing your guest count and your address, that is not because it needs more information. It is because the number has not been decided yet.

Three prices, no asterisks

Three formats, three prices, and the same price for every dancer in the gallery. There is no premium tier that costs more and no discount on whoever gets booked least.

• Solo — 800 ₪, 45 to 60 minutes. One dancer, entrance in costume, full choreographed show and a lap dance for the guest of honour. The most booked format, and in a room of up to ten people it is also the right one.
• Duo — 1,400 ₪, 60 to 75 minutes. Two dancers working shared choreography. Past ten guests a solo show starts to scatter across the room, and a duo holds the attention where it belongs.
• VIP — 2,200 ₪, 90 minutes. Three dancers, three parts, breaks in between. It works in a villa, a large cabin or a loft with more than one space, and it gets squeezed flat in a two-room flat.

Prices include VAT. Nothing sits on top of them: no service charge, no coordination fee, no agent commission. What is written is what changes hands at the end of the evening.

What the money actually buys

Worth understanding, because it explains why 800 shekels is not expensive and why 400 usually is a warning sign.

Most of the sum goes to the dancer, and that covers the evening plus everything behind it. A built show is not improvised dancing. There is an entrance, a middle, a peak and an ending, and each part gets rehearsed dozens of times before it reaches your living room. Anyone who has watched an improvised show knows how fast a room works out that there is no plan.

Then come the parts nobody thinks about. The ride there and back, usually a booked taxi, because a dancer who arrives by bus carrying a costume bag arrives tired. The costume itself, bought and maintained at her expense. Music, speaker, props. And the time somebody spends answering your message at two in the morning instead of sending an automated reply.

Whoever offers the same evening for half the money is cutting one of those lines, usually the first one. That is where every familiar complaint comes from: a different woman turned up, the show ended after twenty minutes, or a surcharge appeared halfway through that nobody mentioned.

What every price includes

• Travel inside the Tel Aviv metro area, included and never itemised separately.
• A costume chosen in advance from the list, changed into at your place before the entrance.
• Music and a portable speaker. If your own system is better, she connects to it.
• Full choreography and a lap dance for the guest of honour, in all three formats.
• Everything agreed in writing beforehand: time, address, costume, music and the rules of the evening.

What is not included and never will be: anything after the show. We are not an escort service and we do not broker one. Dancers do not stay afterwards and do not drink with guests. A request in that direction gets a no, politely, including in the middle of the evening. What does happen, minute by minute, is written out on the shows and services page.

What raises the price

Four surcharges, and all four are stated in the first message rather than at the moment of payment.

• Travel outside the metro area. Tel Aviv, Ramat Gan, Givatayim, Bnei Brak, Holon, Bat Yam, Herzliya, Petah Tikva and Rishon LeZion carry no surcharge at all. Jerusalem, Haifa, the far centre and the south add a travel sum set by distance and quoted up front.
• Late start. A booking that begins after one in the morning closes off a dancer’s normal ride home. The surcharge covers the trip back, not a premium for the hour.
• Extending mid-show. Common and possible. Half an hour gets added at the proportional rate, provided there is no booking after yours. Which is why it helps to say in advance that you might want it.
• A costume that is not on the list. Possible with a few days’ notice, at the cost of the item.

What never gets added

This list is short on purpose, and every line exists because somebody ran into it somewhere else.

• No deposit. Not by bank transfer, not by app, not “just to hold the date”. We close an evening by message and we show up.
• No agent percentage and no coordination fee on top of the agreed number.
• No charge for the guest of honour and no separate payment for the lap dance. It is part of the show in every format.
• No cancellation penalty if you tell us at least four hours ahead. After that the dancer has already left or turned down another evening, and it becomes a question of fairness between two sides.
• No price that changes at the door. If we agreed on 1,400, you pay 1,400, even if twenty guests turned up instead of ten.

How many guests each format holds

This single question shapes the evening more than any other, and most people booking never ask it. A small room with three friends and a VIP package is wasted money. A room of twenty-five with one dancer is a show that half the room cannot see.

• Up to ten guests. Solo is plenty. Upgrade to a duo for a longer show, not because of the headcount.
• Ten to twenty-five. Duo. Two dancers work two focal points of the room and nobody is left behind a wall of shoulders.
• Over twenty-five, or several rooms. VIP. Three dancers hold a large space, and the breaks let people move between areas.

If you are unsure, send the guest count and the size of the room. We will tell you when the cheaper format is enough, including when that means selling you less.

How and when you pay

Cash, at the end of the show, to the dancer herself. Not before, not halfway through, not to a third person. That arrangement suits both sides: you are not paying for something you have not seen, and she is not left holding a promise.

Have the sum ready in an envelope or a pocket. Hunting for an ATM at two in the morning is the worst possible ending to a good evening. If a company event needs an invoice, say so beforehand and it gets arranged before the evening rather than after it.

Booking from a hotel

Most of our English-speaking bookings come from hotel rooms, so this part is worth spelling out. The price is identical to a private flat. Nothing is added for a hotel address, and nothing is added because the booking came in English.

The dancer arrives dressed like any other guest, walks to the room and changes there. She does not wait in the lobby and she is not announced at reception. Rooms along the Tel Aviv beachfront, in Herzliya and in Bat Yam are all inside the no-surcharge zone. The practical detail people forget is cash: bring shekels rather than euros or dollars, because the exchange happens at the end of the evening and nobody wants to negotiate a rate at that point. The full picture is on the hotel booking page.

Price by area

Inside the metro area the price is flat. Florentin, Jaffa and Herzliya all pay the same 800, 1,400 or 2,200, and the usual time from confirmation to the door is 30 to 45 minutes.

Beyond that the price grows by the travel sum alone, quoted before anything is agreed rather than once a dancer is already on the road.

Price by type of evening

The format sets the price, not the reason for the party. A bachelor party and a birthday cost exactly the same, and booking at home or at a cabin does not move the number either. What changes is what fits: a cabin with an overnight stay leaves room for a long format, a hotel room suits a shorter, tighter show.

Style costs nothing extra either. Burlesque, pole and lap dance are all inside the same price, and every profile says what that dancer actually performs.

Why we are not the cheapest

You can find a show in Israel for 500 shekels, and the advertisement is not lying. Something in it is simply being cut. Usually it is time: twenty minutes instead of an hour. Sometimes it is identity, and a different woman arrives. And sometimes it is what gets offered during the evening, which is a different service altogether, one we do not provide and do not broker.

Our price sits in the middle of the market rather than at either edge. We would rather say up front what we will not do than agree to everything and start dodging once the evening has started. The same reasoning is why our about page carries no invented figures about thousands of events.

Seven questions worth asking any agency

Not only us. Ask these anywhere and compare the answers, and five minutes will tell you who you are dealing with.

• How long does the show run, in minutes.
• Is the price final and does it include travel.
• Is the dancer in the photograph the one who arrives.
• When do you pay, and to whom.
• What happens if you want to extend.
• What is allowed and what is not during the evening.
• What happens if you cancel the day before.

Anyone who dodges two of those will dodge during the evening too. Our answers are on this page and on the frequently asked questions page, and if something is still open, write to us and you will get a reply within minutes.

Before you confirm

Two pages that answer what the price list leaves open. Ten questions worth asking before you book covers what to establish with any agency, not only with us: the final price, deposits, cancellation and lateness. And the budget of the evening explains how to divide the money between venue, food and the central event, and where saving costs you.