This page answers the questions that come up in every conversation before a booking: what exactly arrives, how long it runs, what the price covers and what it does not, and what the rules are on the night. If something is still unclear afterwards, message us — you will get an answer, not a contact form.
What a show here is, and what it is not
A show here is a built performance, not improvised dancing. The dancer arrives with her own music, with a costume chosen in advance and with props, and works a routine she has performed dozens of times. There is an entrance, a middle, a peak and an ending. That is the difference between an evening people talk about afterwards and half an hour everyone waits out.
And here is the part most sites in this business prefer to blur: it is a show, and it ends when it ends. There is no afterwards, and there is no arranging something extra with the dancer on the side. We are not an escort service and we do not broker for one. A request in that direction gets a no, however politely it arrives and however far into the evening.
The dancers do not drink with guests and do not stay after the show. That is not fussiness — it is what lets them work for years and turn up to the next evening at the same standard.
What sixty minutes actually looks like
Take a one hour duo show. A solo runs the same shape but shorter, and the VIP package splits into three parts with breaks.
- Minutes 0–7. She arrives by booked car to the address, dressed like any other guest. Show her a side room to change in. This is the moment to kill the ceiling light and switch on a lamp.
- Minutes 7–12. Entrance in costume. If there is a guest of honour, seat him on a chair in the middle with everyone around him rather than behind him.
- Minutes 12–30. The first part. Most of it happens here: choreography, working the room, a gradual reveal.
- Minutes 30–35. A short break. Photos are possible if she agrees, and the music can change.
- Minutes 35–50. The second part, including the lap dance for the guest of honour.
- Minutes 50–60. Ending, dressing, cash, and out. No dragging it out and no awkwardness.
If you want to see who will actually be doing this, the full gallery is here — each profile says what she performs, not just her measurements.
Booking to a hotel room
A large share of what we do goes to hotels, and visitors worry about it far more than they need to. She arrives dressed like any other guest, takes the lift like any other guest and changes in the room. Reception has no reason to notice, and in practice never does.
Two practical things. Book her to the room rather than the lobby, and have someone open the door rather than leaving her comparing numbers in a corridor. And get the hour right: evenings here start late, so a show at 22:00 lands far better than one at 19:00.
Most seafront hotels are within twenty minutes of where the dancers are based. Flats and lofts work the same way — see how it runs in Florentin, Jaffa or Herzliya.
Is this legal here
Yes. A private striptease performance for adults, in a private space, is legal in Israel. What is not legal is prostitution, and the line between the two is exactly the line described above: a performance ends when it ends.
Nobody needs to register anything, and there is no paperwork on your side. All the dancers are over 18, and we verify that before anyone gets a profile.
What the room needs
Two metres by two metres of clear floor, a chair without arms, and a way to connect a speaker. That is the whole list; everything else is an improvement.
What genuinely matters is light. A white ceiling light kills any show. One side lamp changes the evening completely, and it is the cheapest advice we have.
A villa or a cabin is the only place where the VIP format really opens up, because it needs several spaces and breaks between them. In a two room flat it compresses and loses the point, and we will say so rather than sell it anyway. And if there is a pole where you are, tell us — it opens up the whole pole dance side of the roster.
Which style suits which evening
The format decides how many dancers arrive; the style decides what the evening feels like. Two shows at the same price and the same length can be completely different things, and most people do not realise they have a choice at all.
For a loud stag night with a big group, something high energy works best: club shows or latino. There is a tempo to it, the whole room gets worked rather than just the groom, and nobody ends up standing at the edge.
For a small evening, four or five people in a living room, the opposite: lap dance or slow burlesque. In a small room a loud show looks excessive and a slow one looks exactly right.
For a birthday surprise the strongest option is cosplay — an entrance in character before anyone works out what is happening. For a company evening the reverse: something clean and professional, which is where fashion erotica or pin-up fit.
All fourteen styles and who performs each of them are in the gallery.
Each booking format has its own page with detail and prices: at your home, hotel room and a cabin. Full prices for every format are on the price list, and the questions that keep coming back are on the FAQ. For a stag night specifically there is a separate page, and the same for birthdays and company events.
The rules
Four of them, said in advance so nobody discovers them halfway through.
- Touching only when she invites it. During a lap dance there are moments when she takes your hands and places them — that is part of the show. Initiative from the other direction is not.
- No filming. No video and no photos during the show. In the break you can ask, and sometimes the answer is yes.
- Drinking is fine for guests, less so for the guest of honour. A groom who can no longer stand up ruins the evening that was organised for him, and it happens more often than anyone likes to admit.
- She can stop. If a line gets crossed the show ends and the payment stands. It is very rare, precisely because the rule is stated up front.
The other side of that: what you can ask for. Pick the costume, ask for a particular style, ask her to arrive in character as the neighbour complaining about the noise, or arrange a surprise where the guest of honour knows nothing until the door opens. We do that on roughly every second booking.
Paying, and what it costs
Cash in shekels at the end of the evening. No deposit, no transfer up front, no card. That is deliberate: nothing appears on anyone’s statement, and you are never out of pocket before anyone has arrived.
Tipping is not expected and not built into the price. If the evening went well people sometimes add something, and that is entirely up to you.
The price you get in the first message is the price at the end, including travel. There is no late hour supplement, no service charge and nothing extra for the costume.
How to book
Send a message with four things: a dancer’s name or a style, the hour, the address and how many guests. Four lines is enough. We reply within minutes with who is free at that time, what it costs including travel, and exactly when she will be at the door.
Most nights last minute is fine. If you want one particular dancer, a day ahead makes a real difference — especially Thursday and Friday. More about who we are is on the about page, and every way to reach us is on contact.