Adi Naor

The style I do most

Lap dance. It is the most requested style in this business and also the one people understand least, so let us start there.

Lap dance is the only set aimed at one person, and it happens around a chair. I set the distance, I come closer and move away, and I end it. Guests do not initiate contact — that is not small print, it is what lets me work close and stay comfortable.

People are sometimes surprised that the closest style has the clearest line. It follows: the nearer you work, the less room there can be for interpretation.

Why a short set beats a long one

A good lap dance is six to eight minutes, not twenty. After eight it stops climbing and levels out.

So on a typical evening I do a general part for the whole group and then a short set for the guest of honour. That way the peak stays a peak, and the group remembers a moment rather than a long stretch that thinned out.

Anyone booking me for a full hour gets a different shape: club or go-go for most of it, with lap dance as one point inside.

The chair

It is my main tool, and not every chair will do.

It needs to be wooden or metal, stable, without arms, with a straight back. An ordinary dining chair is perfect. What does not work: an armchair, a sofa, a bar stool, an office chair on castors and a plastic garden chair. The first two are too low and too soft; the rest are simply not safe.

Put it in the middle of the cleared floor rather than a corner, and seat the group in an arc around it. A closed circle blocks half the room; an arc gives everyone an angle.

Club and go-go: the part for everyone

A club set is my other side — fast tempo, wide movement, and something the whole room watches together.

It asks for more: three metres by three, a hard floor and a speaker with real bass. In an older building after ten in the evening the neighbours will feel it, and I say so in advance rather than afterwards.

Go-go with me is the format for a long evening: several short appearances instead of one number, without stopping the party.

What a full evening with me looks like

If you booked the longer format, this is the order I suggest almost every time.

We open with a general part for the whole group — go-go or a club set, twelve to fifteen minutes. That warms the room and puts everyone in the same state.

Then a short break, and only then the set for the guest of honour. It arrives when the group is complete and paying attention rather than while half of them are still in the hallway.

And at the end another short appearance for everyone, which hands the evening back to the group instead of leaving it on one person. It sounds like a detail and it changes how the night ends.

Who I suit

Bachelor parties first — there is one guest of honour and a group that came for him, which is exactly the structure my style is built on.

Also birthdays for younger groups, private club evenings and lofts. Less suited to a quiet evening for a couple — there someone who works on slow closeness serves better than energy.

What changes between a flat and a hotel

Both work, differently, and it is worth knowing what each gives you.

A flat has room for the general part — go-go or a club set with wide movement — and space to seat a group in an arc. There I can give a whole evening rather than a single number.

A hotel room does not: three metres by four with a bed in the middle and nowhere to spread an audience. So there I do almost only lap dance, and it suits — the format is built for one person or a couple rather than a crowd. Bring a chair from the room or the corridor, because a hotel armchair will not do.

What the room needs

• A stable armless chair, in the middle
• Two and a half metres square around it, and three by three for a club set
• A hard floor, rug rolled aside
• Light from the side rather than the ceiling
• A speaker; with bass for club, mid-sized is enough for lap dance

What I say to the group beforehand

Two sentences, and I say them myself as I come in so that nobody learns them the hard way.

First: phones go down before I start. In lap dance that matters more than in any other style, because I am working half a metre away.

Second: whoever is in the chair does not lead. If he is embarrassed, that is completely fine — I work with it and I force nobody. And if the group is pushing someone who does not want it, I stop that quietly.

Cities I work in

The whole service area. Mostly Tel Aviv, Ramat Gan, Rishon LeZion and Herzliya, and in the towns where people rent a house for the weekend.

The price is the same as everyone in the catalogue, with no additions. Cash at the end of the evening.